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Qatar Museums, Museum of Islamic Art Terms and Conditions

Lustreware Dish with Rampant Griffin

Museum of Islamic Art

Currently on view at Museum of Islamic Art
Title:
Lustreware Dish with Rampant Griffin
Material:
Earthenware, Glaze, Pigment, Lustre
Technique:
Glazing, In-glaze painting, Lustre painting
Dimensions:
8.3 cm
Diameter:
45.5 cm

This dish, an example of Valencian lustreware, is decorated with a coat of arm of a rampant griffin at the centre and a series of interlaced floral motifs with alternating blue and brown ivy leaves. The 8th - 9th century AH/14th - 15th century CE is marked by a large production of ceramics in the city of Manises, on the outskirts of Valencia, using the lusterware technique, which originated from Fatimid Egypt and was first established in Spain via the ports of Malaga and Murcia in the late 6th century AH/12th century CE. This is the prominent Buyl family of Manises who introduced the technique to the city, after discovering Nasrid workshops during diplomatic visits in Granada, and controlled the large production of dishes, bowls, pots, and especially albarelli. Despite a complex political context, this era evokes the creation of a style that incorporates Islamic techniques and decorative materials adapted to the commissions of Christian nobility. We know that Italian merchants imported a large number of Valencian ware which were commissioned by noble families in Florence, Venice, Naples and Sicily. The griffin here possibly refers to the Villani family of merchants in Florence. The same arrangement of ivy leaves was also popular on large vases and albarelli, which were depicted in Dutch and Renaissance Italian paintings (e.g. fresco of the Annunciation of Bastiano Mainardi in the Collegiata of San Gimignano, 1482 CE and the Portinari tryptich of Hugo de Gand, 1476-1478 CE).

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Collection Highlights

Six Ceramics from the Online Collection You Need to See

Islamic pottery has travelled far. Over eight centuries, from the workshops of Abbasid Iraq to Safavid-era Iran, Ayyubid Syria, Ottoman Turkey and Nasrid Spain, carried by trade routes, court patronage and the movement of craftsmen themselves. Here are six unmissable objects from the Museum of Islamic Art's online collection, ranging from ninth-century Basra to 17th century Iznik.

29 September 2026
By Mohamed Al Thani
Museum of Islamic Art Read